Courtesy of the artist. Haegue Yang is renowned for creating immersive environments from a diverse range of materials. One of our exciting projects is Haegue Yang’s solo exhibition for the MMCA Hyundai Motor Series. Haegue Yang: Strange Attractors is an exhibition running Oct 2020 - May 2021 at Tate St.Ives. The collection is named Mundus Cushion – Yielding X (2020), and they are intended to reflect our worries and wishes for the world around us. Dimensions variable. Drying racks, light bulbs, cable, zip ties, terminal strips. Photo: Studio Haegue Yang, The Art Gallery of New South Wales is delighted to present. Barlow says: “In order to make them, she ordered a lot of traditional church kneelers, took them apart, and found out how they were fabricated. With additional support from Kvadrat, Tate Members and Tate St Ives Members. 180 x 95 x 95 cm. Haegue Yang creates installations that include photographic, video, and sculptural elements and are informed by the artist’s philosophical and political investigations. Handcrafted over the centuries by local needlewomen, the church’s kneeling cushions fascinated Yang, in particular one that depicted a solar eclipse. Haegue Yang in her exhibition When The Year 2000 Comes at Kukje Gallery, Seoul, 2019 © Haegue Yang, courtesy Kukje Gallery, Seoul. Haegue Yang. Aquatopia: The Imaginary of the Ocean Deep The perforation of these walls is based on a traditional geometric ‘whirlwind’ textile pattern from the Philippines. But it is Li, whose single work in the Tate St Ives collection Yang discovered while researching for this show in 2018, who apparently helped to consolidate the idea to incorporate biographical tributes to this important 20th-century trio in the show. cat. The architectural wall surfaces are also treated in three different modes: wallpapered, patterned with door knobs, and empty. Tate St Ives opens the UK's largest exhibition to date by celebrated South Korean artist Haegue Yang Haegue Yang lives and works in Berlin, Germany and Seoul, South Korea. Yang is renowned for creating immersive environments from a diverse range of materials. Haegue Yang has created an immersive environment for her sculpture series The Intermediates (2015-ongoing) in … Room 32 – the largest and one of the most visited rooms of the National Gallery displaying 17th-century Italian paintings by artists including Caravaggio, Artemisia and Orazio Gentileschi, Guido Reni and Guercino – will reopen with an enriched re-hang in July 2020 after a 21-month refurbishment. The one inspired by Hepworth (Parameters and Unknowns After Hepworth, 2020) is a three-part, voluptuous thing of pierced spheres formed by tiny, bronzed bells. Haegue Yang 양혜규 梁慧圭 / Liverpool Biennial 2018 309 views 7 months ago Installation view of Beautiful world, where are you?, Liverpool Biennial, Tate Liverpool, 2018 They can be flat or three dimensional, opaque or transparent, compressed or expanded. Haegue Yang Sol LeWitt Upside Down - Structure with Three Towers, Expanded 23 Times, Split in Three 2015 On display at Tate Modern part of Materials and Objects One of the leading and most significant artists of her generation, Yang moved to Germany in 1994 to study at the renowned art school Städelschule, where she received a Meisterschüler. Major exhibition of existing and new work by South Korean artist Haegue Yang, renowned for her vast and non-binary artistic languages. Taking this theory as a starting point, Yang’s exhibition creates an environment in which uncanny and seemingly disparate ideas, cultures, relations and time periods coexist. That kind of care and attention to fabrication and detail is key to everything that she does … They have these connections to space and cosmology – they carry the words orbit, tempest, twilight. Haegue Yang: The exhibition at Tate St Ives [set to reopen after the national COVID-19 lockdown] brings together existing works with new pieces inspired by my visits to Cornwall in 2018-19. If connoisseurship was already thought to have an “antique ring” as early as 1950, this tendency would only increase, to the detriment of Kenneth Clark’s reputation. At the press view, the laundry-ready racks were still being adorned with the specified, serpentine coils of thick, white lighting cables to which bulbs will be attached. But a few hours later, with their bulbs in place and lit, they come strangely to life; lightbulbs representing energy and also, perhaps, enlightenment. Six of Yang’s Sonic Half Moons (2014-15), complete with drooping, bell-strung tendrils, rise up to the ceiling between and around these frames, their physical placement and context giving them a half-celestial, half-aquatic, drifting quality (apparently the gallery assistants will give them a spin now and again, so their delightful tinkling skirts can be heard and seen, spinning around). But Yang’s sculptural response to Li is a more cuddly, tufty-eared, furry-faced, squat figure, constructed of red bells and black synthetic straw; if anything, it reminds me of one of the Star Wars franchise’s most lovable creatures, the Ewok. Sonic Intermediate – Parameters and Unknowns after Li 215 x 172 x 172 cm. I never stop examining. Yang’s practice spans a wide range of media, from paper collage to performative sculpture and large-scale multi-sensorial installation, often featuring everyday objects, in addition to labour-intensive woven sculptures. Wilhelmina Barns-Graham: In Perspective – The Late Works Strange Attractors is the UK’s largest exhibition to date by celebrated South Korean artist Haegue Yang. This one reminds me of the cavemen – the wonderfully named Slag Brothers - whose whirling, spindly legs powered their basic, stone-age automobile in Hanna-Barbera’s iconic 1960s cartoon Wacky Races. Beyond its subcategory of attribution, less tangible questions of judgment, taste and even background made connoisseurship as subject to caricature as Clark, whose style of criticism was doomed in this review as a fragile remnant of a dying world. She is a Professor at the Staedelschule in Frankfurt am Main. Barbara Hepworth: The Hospital Drawings Artificial straw, powder-coated steel frame, powder-coated mesh, casters. Neue Luxury • Art • News •, Neue Luxury • Art • News •, Neue Luxury • Art • Feature • BY Neue Luxury. It will be accompanied by a catalogue published by Tate Publishing and designed by Berlin-based Studio Manuel Raeder, as well as a programme of talks and events in the gallery. At Tate Liverpool, new and existing works are presented by artists Kevin Beasley, Dale Harding, Brian Jungen, Duane Linklater, Annie Pootoogook, Joyce Wieland and Haegue Yang. Gloriously fun and chaotic, Haegue Yang's exploration of the domestic, cultural and spiritual responses to the natural world is a definite conversation starter. It will be accompanied by a catalogue published by Tate Publishing and designed by Berlin-based Studio Manuel Raeder, as well as a programme of talks and events in the gallery. With thanks to the Li Yuan-chia Foundation and Studio Haegue Yang in Berlin and Seoul. Photo: Nick Ash. Artificial straw, powder-coated steel frame, powder-coated mesh, casters, 203 x 120 x 120 cm. The Chinese-born, Taiwan-raised artist, who studied in Italy and later adopted the UK as his home, was a contemporary, friend and fan of Hepworth and Gabo, and exhibited them at the Li Yuan-chia Museum and Art Gallery (1971-1982) he founded in Cumbria, where he spent the last 28 years of his life. Photo: Taipei Fine Arts Museum ... Tate St Ives . Haegue Yang’s mobile sculptures, Dress Vehicles, will be displayed in Tank 2 - the new venue at Tate Modern UK’s largest exhibition to date by South Korean artist Haegue Yang. The idea is that they will disrupt and interact with the adjacent beachscape, with their jagged geometries and skeletal forms, artificial light interacting with bright coastal light, generating interesting optical patterns. Gently moving with ventilated air, the fabric’s shimmering colour overlaps with the hue of the ocean beyond, while its moiré effect will cast a blue-green light over a group of ethereal drying rack sculptures, Non-Indépliables, nues. When Mark Gertler exhibited The Creation of Eve (1914) at the London Group’s third show in 1915, he was as shocked by the reaction of the public and critics as they apparently were by his painting. Their hollow centres, a tribute to Hepworth’s sculptural signature, erupt with fluffy black synthetic straw, giving them a flamboyant, feminine flourish. There are handles for manoeuvring this flirty creature around the space, though sadly, at the preview, it wasn’t certain whether movement would be allowed thanks to coronavirus restrictions. I must confess that I didn’t understand the explanations and hence entered the gallery with a degree of scepticism, but this immediately changed with a challenge to my mindset. Powder-coated steel frame, mesh and handles, casters, turbine vent, brass, copper and nickel plated bells, metal rings, plastic twine, broom. To enter the main gallery of Haegue Yang’s three-room exhibition at Tate St Ives is to encounter an alien landscape. Powder-coated steel frame, powder-coated mesh, powder-coated handles, casters, copper plated bells, metal rings, plastic twine, 216 x 125 x 125 cm. 203 x 120 x 120 cm. Sonic Intermediate – Parameters an, Haegue Yang. Major exhibition of existing and new work by South Korean artist Haegue Yang, renowned for her vast and non-binary artistic languages.The materiality and aesthetics of her work are derived from her inventive methods, from using industrial and everyday materials to labour-intensive and craft-based procedures that create creature-like sculptures. Haegue Yang. This is the first exhibition at Tate St Ives to take place across both the award-winning top-lit gallery in the new building and the spectacular sea-facing gallery in the original building. 1971, Seoul, South Korea. by Sinéad McCarthy, exh. Photo: Chunho An. The Cornish landscape and its ancient archaeological heritage are important points of inspiration. Hague Yang often makes work using everyday domestic items, transforming them in extraordinary ways. It is accompanied by a catalogue published by Tate Publishing and designed by Berlin-based Studio Manuel Raeder, as well as a programme of talks and events in the gallery. Haegue Yang: Strange Attractors is curated by Anne Barlow, Director of Tate St Ives, with Assistant Curator Giles Jackson. The Tanks: Haegue Yang Yang (born Seoul, Korea, 1971, lives and works Berlin) works with everyday materials, often domestic ones, to create colourful installations that frequently combine industrial materials with sensory effects using light and scent. Yang is renowned for creating immersive environments from a diverse range of materials. Opening up sightlines across the room, the permeable wall structures articulate the entire gallery space and cut a diagonal passageway across the centre, where Sonic Half Moons encased with patterns of nickel and brass plated bells are suspended. 4 minutes read. Yang spins you on a wild waltz with the modernists populating Tate St Ives to galaxies beyond. They are the latest evolution of an earlier series, called the Intermediates, which comprises movable sculptures made of quasi-natural and hand-crafted elements; but these, thanks to the addition of bells – another favourite Yang component - are dubbed Sonic Intermediates. Her colourful installations and performative sculptures frequently combine domestic and industrial materials with sound and light. Why so many of them? As a reminder of the unpredictability of life, Yang has stuck an assortment of square wooden boards on to this wallpaper, which she apparently prepares with a thin layer of varnish in her studio, and then leaves out to attract whatever dust, fragments or leaves might be swirling around. Humour is a major thread throughout Yang’s work. Haegue Yang: Strange Attractors is curated by Anne Barlow, Director of Tate St Ives, with Assistant Curator Giles Jackson. 1971, South Korea) lives and works in Berlin and Seoul. Powder-coated steel frame, powder-coated mesh, powder-coated handles, casters, copper plated bells, metal rings, plastic twine, 216 x 125 x 125 cm. But by now, my tired brain cannot decide if this installation is weird or wonderful. Installation view of Haegue Yang: Strange Attractors at Tate St Ives, 2020. The paper collage series Trustworthies will be installed on the blank walls and the expansive wallpaper Non-Linear and Non-Periodic Dynamics will host the small-scaled Lacquer Paintings. Haegue Yang: Strange Attractors is curated by Anne Barlow, Director of Tate St Ives, with Assistant Curator Giles Jackson. In the Cone of Uncertainty foregrounds Haegue Yang’s (b. Born in South Korea in 1971, Haegue Yang is based in Berlin and Seoul and teaches at the Städelschule in Frankfurt am Main. 1971, South Korea) lives and works in Berlin, Germany and Seoul, South Korea. This autumn Tate St Ives will stage Strange Attractors, the UK’s largest exhibition to date by celebrated South Korean artist Haegue Yang. Yang is renowned for creating immersive environments from a diverse range of materials. Gabo’s Sonic Intermediate alter ego is a more geometrically austere character, his “head” made of layers of shiny metal, after Gabo’s Constructed Head no 2 (1916), while Li’s strikes a shaman-style pose very similar to Li’s own photographic portrait in the adjacent gallery, standing in a hooded robe, with a broomstick in his hand. But there is also something of corn dollies and that tradition of rural craftsmanship, now almost lost in western Europe. 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